Eddie, the son of a police officer, gets involved with a criminal gang. His sister Nora finds him and tries to convince him to leave the gang, but he refuses, and his father will have nothing to do with him. Jim, Nora's boyfriend, discovers that the gang is planning to rob a house and he tips off the police. Things go horribly wrong, however, and the gang's members wind up kidnapping Nora and threatening to kill her unless her father helps free the rest of the gang from prison.

A stern matron lives together in a luxurious home with her three married children. The eldest son's wife is not popular with the family because of her cross temper and foolishness. She invests all her husband's fortune in paintings that turn out to be forgeries. Her husband brings his mistress into the household as a maid. His mother is aware of their relationship and it has her approval.

Shyampur-based Vaid, the father of assertive Padma, is approached by the local Zamindar, who proposes marriage between Padma and his oppressive son, Vikram, to which he agrees. On the day of the wedding, she finds that she is to wed Raghu, the older semi-senile son. Though her father is ready to call off the wedding, she goes ahead and re-locates to live in the palatial house of the Zamindar. Shortly thereafter, she will soon find that her husband is being ill-treated and her attempts to assert his right will pit her not only against her benevolent father-in-law, but also against her abusive mother-in-law and Vikram himself.

In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.

A Surrogate Driving By A Sexy Daughter in law (2022)

Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.

A wedding planner looks to persuade her mother not to marry a man she's only known for a brief period of time, until an unexpected development forces her to re-examine her feelings.

A convent-raised woman learns of her American Indian heritage through romance with an educated Navajo (Philip Reed) during the 1880s.

La India María must find at all costs in the recesses of a mountain the Magic Black Mirror of Tezcatlipoca, since the spirit of his great-grandfather Moctezuma II ordered her to find it in to prevent the destruction of Mexico. Alonso, a handsome Spanish archaeologist, Bianchi, an antiquities dealer and Brigida Troncoso - an ambitious governor, are aware of the existence of such mirror, of the mysterious treasure of Moctezuma and of María, so all undertake a frantic chase after her to seize the magic glass and the gold.

Diane and Kate are not only mother and daughter but also best friends. Their lives are turned upside down, however, when Diane announces her engagement to a man named Bruce, whom she's been secretly dating.